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Media Studies

Showing 1 to 7 of 7 results.

Ethnic Minority Cinema in China’s Nation-State Building

By Kwai-Cheung Lo
Subjects: Asian Studies, China, Media Studies, Cinema Studies
Series: China Understandings Today

A comprehensive study of China’s ethnic minority cinema from the Republican Era to the present

Disorienting Politics

Chimerican Media and Transpacific Entanglements

By Fan Yang
Subjects: Asian Studies, China, Media Studies, T.V. & Radio, American Studies

Understanding Chimerican entanglements through 21st-century media

The Currency of Truth

Newsmaking and the Late-Socialist Imaginaries of China's Digital Era

By Emily H. C. Chua
Subjects: Asian Studies, China, Anthropology, Cultural Anthropology, Sociology, Media Studies, Journalism, Political Science, Political Communication
Series: China Understandings Today

Explores the complex interpersonal networks and differing ethical standpoints that shape the news in China

“A Great Wall”

A Learning Guide

Second Edition

By Jing-heng Ma
Subjects: Asian Studies, China, Media Studies, Cinema Studies
Series: Film Guides for Students of Chinese

A student guide for the critically acclaimed 1986 film A Great Wall

Televising Chineseness

Gender, Nation, and Subjectivity

By Geng Song
Subjects: Asian Studies, China, Media Studies, T.V. & Radio
Series: China Understandings Today

Offers new understandings of gender construction and nation-building through the lens of recent Chinese television programs.

Early Film Culture in Hong Kong, Taiwan, and Republican China

Kaleidoscopic Histories

Edited by Emilie Yueh-yu Yeh
Subjects: Media Studies, Cinema Studies, Asian Studies, China

A pathbreaking collection of essays on early Chinese-language cinema

Screening China

Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema

By Yingjin Zhang
Subjects: Media Studies, Cinema Studies, Theater and Performance, Asian Studies, China
Series: Michigan Monographs in Chinese Studies

Pushes back against the Western critical appetite for ethnic and cultural markers in Chinese film, narrating how Chinese filmmakers increasingly escape Western demands and screen China’s many facets

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